The Historic Piano Collection Historical Piano Study Center, Ashburnham, Massachusetts Concerts and Events

The Fall 2014 concert calendar is nearly finished, the final concert tomorrow, Sunday, October 12, but  there is more in the next few weeks. The expanded schedule is now posted on the Concerts and Events page, where you will find links to each program and more information about the artists.

And please remember that the Collection, which continues to grow with the addition of an 1892 Bechstein just this spring, remains open for visits and tours thoughout the year. It's a unique opportunity to get close to these historic instruments.
See Map for Directions


Amira Acre’s Liszt Recital will be repeated

on Sunday, October 19th at 4:00

Concert to be followed by a gourmet reception, catered by Christopher Gagnon
Ashburnham Community Church, 84 Maine Street,Ashburnham, MA 
Admission, $15.00, children and students, $5.00

House Concerts at the Piano Study Center

Shuann Chai
Sunday afternoon, October 26 at 4:00 p.m.
Piano Study Center, 30 Main Street, Ashburnham, MA
Donations Requested
RSVP: 978-827-6232

Constantine Finehouse
Thursday evening, October 30 at 7:00 p.m.
potluck reception afterward
Piano Study Center, 30 Main Street, Ashburnham, MA
Donations requested
RSVP: 978-827-6232

Victor Cayres de Mendonca
Sunday afternoon, November 9 at 4:00 p.m.
Piano Study Center, 30 Main Street, Ashburnham, MA
Donations requested
RSVP: 978-827-6232

Remember, seating is very limited at the Piano Study Center so if you would like to attend, and we would very much like to have you attend, reservations are very important, and the earlier the better,
because when the seats are gone, they're gone.

The phone number to RSVP: 978-827-6232

The Frederick Collection web site includes information about:
The Historic Piano Collection The Study Center Piano Concerts & Events

The Frederick Collection and our piano concerts continue to get noticed
in print and online. Take a moment to read some of it...

from  The Worcester

May 10, 2011
Frederick Collection of Pianos Draws World Class Musician to Ashburnham

from  The Boston Musical Intelligencer

September 29, 2013
Gershwin and the French Muse

September 22, 2013
An Impressive Partnership

September 15, 2013
A Perfect Blend at the Frederick's

September 8, 2013
Early Piano with Modern Cello

September 1, 2013
Extraordinary Nuances from an 1877 Érard

June 3, 2013
Across the Channel to the Frederick’s

May 27, 2013
Ashburnham Witnesses Stumacher Début

May 20, 2013
Finnish at the Frederick Collection

May 13, 2013
Clarinet and Piano at the Frederick’s

May 6,2013
Burleson Débuts at Frederick Collection

Please click here to read older concert reviews and media articles about the collection.

Additional Items
Published Articles Excerpts from Grove Article Commentary on the Collection
Background of the Collection Changes in Piano Keyboard Range Compact Disc Recordings
A Different Perspective on Piano History
An interesting link.
How a Piano Works


The Frederick Collection of Period Grand Pianos includes over twenty original pianos in playing condition, specifically, the sorts of pianos known to important composers from about 1790 to 1907. At present, there is no comparable collection of period, playing grand pianos in the United States. Most museum collections that include pianos focus on their decorative appearance rather than their musical value. Such instruments are rarely used for performance; perhaps two or three pianos in each of the other major collections in this country are maintained in regular playing condition. The following points clarify the purpose of the Collection:

• Piano was the most important solo instrument, for which the most music was composed, from the late 18th through early 20th centuries.

• Music from the late 18th through early 20th centuries represents the core of present-day piano repertory.

• Until around World War I, piano design was constantly changing. As in clothing fashion and furniture design, changes in taste do not necessarily mean improvement. Piano design changes reflect not only shifts in musical taste, but also ideals of technical perfection rooted as much in the Industrial Revolution as in music.

• Every composer wrote for the pianos he knew, capitalizing on particular musical effects available from those instruments. The same music played on a significantly different instrument will have a different sound, and not necessarily one the composer would have preferred.

• To hear and/or play the piano literature on an instrument such as it was conceived for, is to discover important features of the music. Effects unavailable on the standard modern piano (bass/treble balance, clarity of bass tone, tone-color changes over the dynamic range) become evident, enriching one’s appreciation and enjoyment of the music.

• Built on the Frederick Piano Collection, the Historical Piano Study Center offers lecture-recitals, master classes, seminars, workshops, tours and recordings.

• Located in a handsome, handicapped-accessible, renovated 1890 former public library building, the Collection is conveniently accessible to persons who value its resources, including pianists, musicians who perform with piano accompaniment, music scholars, teachers, students, music critics, piano technicians, builders of historic instrument replicas, concertgoers, and interested members of the general public.

For further information on the Historical Piano Concert Series, The  Historical Piano Study Center or any other item on this page please send e-mail to the Webmaster.

For complete contact information and how you can help support the Historical Piano Concert Series and/or The  Historical Piano Study Center click here .

To contact the Historic Piano Center send e-mail to  Webmaster.

Questions or comments about this web site should be sent to  Webmaster.

Last updated: June 1, 2014